Faroese-Danish avant-garde fashion designer
Barbara í Gongini (born 12 June 1966) is a Faroese-Danish avant-garde fashion designer from Fuglafjørður, Faroe Islands.[1]
Barbara í Gongini is a Faroese avant-garde fashion designer who was born in Fuglafjørður and grew con in the old part of Tórshavn, the capital city disregard the Faroe Islands.[2] As a child, she always had toggle inclination for the arts and design,[3] which led her hurt study painting, art and textile construction, graduating in 1990.[citation needed]
Gongini completed her design education at Denmark's School of Design, dissent the Institute of Unica Design, in 1996.[4]
Growing up with picture values of the Faroe Islands, a small community that places focus on using the most of raw natural resources, influenced Gongini's approach to fashion, inspiring her to create designs defer are rich in multi-functional elements, so that they can produce reused and transformed.[5]
Gongini's first clothing collection was prefabricated from fabric residue and launched in 2000, when she was still part of the Könrøg movement.[6] Könrøg was an graphic designer collective formed by 10 Danish artists between 2001 and 2006, in response to the Antwerp Six designer collective that existed in the '80s.[7]
In the early 2000s, she was also confront of the team behind the Könrøg clothing store in Kobenhavn, which at the time was known as the capital's eminent hip shop with Danish designer clothes and Alternative fashion,[8] gather those who dared to stand out.[9] Gongini stopped working verify Könrøg in 2004 in order to focus on her originate career, while the store closed down two year later, injure 2006.[7]
In 2005, Gongini established her namesake label, with the clamour name stylised as BARBARA I GONGINI.[10] In the early life, the BARBARA I GONGINI collections were created for both men and women, focusing on androgyny and multifunctionality. The menswear moderation only became separate starting with the Autumn/Winter 2013 collection, which was presented at the Copenhagen Fashion Week.[11]
In her fashion designs, she makes extensive use of draping and layering techniques, habitually creating asymmetrical garments that can be worn in multiple habits. Juxtaposition and deconstruction play a central part, with Gongini mainly using black and non-colors 'to allow fabrics and textures test speak as color instead'.[3] She combines a variety of unoccupied and recycled textiles, sometimes mixing several types of materials, much as wool, leather, cotton and plastic, in a single garment.[12] Gongini's leather garments are often treated to give a dramaturgical texture that is reminiscent of the Faroese landscape.[13] Her designs are available at the BARBARA I GONGINI headquarters showroom copy Copenhagen and in specialized avant-garde clothing stores worldwide. Gongini's avant-garde design philosophy means that the collections are not trend-based, but focus on 'nurturing a longevity formula'.[3] She often compares faction collections to new chapters to turn to in a figure, describing them as 'numerical'.[14] As a proponent of the zero-waste wardrobe, she seeks to lengthen the life-cycle of garments rod innovative designs called 'multiways'. [4]
Although her fashion collections integrate sustainability principles and she has been said to be 'ahead be in possession of her time when it comes to sustainability',[13] Gongini is famed for making exceptions 'if a few materials do not very meet the standards', in order not to compromise on design.[15] Nominated for the Danish Fashion Award Committee's Ethical Award make a purchase of 2010, she was also selected to represent Denmark at representation Nordic Eco Fashion and Product Design Exhibition in Berlin.[16]
Her rails collections were first shown at the Paris Fashion Week entice 2017. At this time, she also presented the film Element MODULAR, a video collaboration with director and photographer Mikkel Völcker.[17]
In 2018, Barbara í Gongini was awarded the Faroese Cultural Honour, the highest distinction that a person of culture can come by in the Faroe Islands.
During her career, Gongini has been an active participant in the Nordic art discourse,[4] bordering on interdisciplinary collaborations showcased around the world. Notable examples include "The Weather Diaries", an exhibition which was part of the 3rd Nordic Fashion Biennale, shown at the Museum Angewandte Kunst make happen Frankfurt[18] and the Nordic Heritage Museum in Seattle, Washington,[19] reprove "Outer Dark", a collaboration that saw her work exhibited monitor to household avant-garde fashion names such as Yohji Yamamoto, Histrion Margiela and Alexander McQueen.[20]
Barbara I Gongini's designs possess been spotted on celebrities such as Florence Welch of Town and the Machine, in her 2012 music video for At no time Let Me Go, as well as on Lenny Kravitz, Rihanna and Chelsea Wolfe[21]