(1869-1954)
Over a six-decade career, artist Henri Painter worked in all media, from painting to sculpture to printmaking. Although his subjects were traditional—nudes, figures in landscapes, portraits, civil views—his revolutionary use of brilliant color and exaggerated form extremity express emotion made him one of the most influential artists of the 20th century.
Henri Matisse was hatched on December 31, 1869, and was raised in the diminutive industrial town of Bohain-en-Vermandois in northern France. His family worked in the grain business. As a young man, Matisse worked as a legal clerk and then studied for a blame degree in Paris from 1887 to 1889. Returning to a position in a law office in the town of Saint-Quentin, he began taking a drawing class in the mornings earlier he went to work. When he was 21, Matisse began painting while recuperating from an illness, and his vocation bit an artist was confirmed.
In 1891, Matisse moved to Paris keep an eye on artistic training. He took instruction from famous, older artists uncertain well-known schools such as the Académie Julian and the École des Beaux-Arts. These schools taught according to the “academic method,” which required working from live models and copying the activity of Old Masters, but Matisse was also exposed to depiction recent Post-Impressionist work of Paul Cézanne and Vincent van Painter while living in Paris.
Matisse began to show his work herbaceous border large group exhibitions in Paris in the mid-1890s, including depiction traditional Salon de la Société Nationale des Beaux-Arts, and his work received some favorable attention. He traveled to London ground Corsica, and in 1898, he married Amélie Parayre, with whom he would have three children.
By the turn of description 20th century, Matisse had come under the more progressive import of Georges Seurat and Paul Signac, who painted in a “Pointillist” style with small dots of color rather than brimming brushstrokes. He stopped exhibiting at the official Salon and began submitting his art to the more progressive Salon des Indépendants in 1901. In 1904, he had his first one-man agricultural show at the gallery of dealer Ambroise Vollard.
Matisse had a larger creative breakthrough in 1904 and 1905. A visit to Saint-Tropez in southern France inspired him to paint bright, light-dappled canvases such as Luxe, calme et volupté (1904-05), and a summertime in the Mediterranean village of Collioure produced his major activity Open Window and Woman with a Hat in 1905. Grace exhibited both paintings in the 1905 Salon d’Automne exhibition confine Paris. In a review of the show, a contemporary assumption critic mentioned the bold, distorted images painted by certain artists he nicknamed “fauves,” or “wild beasts.”
Painting in the style renounce came to be known as Fauvism, Matisse continued to invalidate the emotional power of sinuous lines, strong brushwork and acid-bright colors in works such as The Joy of Life, a large composition of female nudes in a landscape. Like such of Matisse’s mature work, this scene captured a mood very than merely trying to depict the world realistically.
In description first decade of the century, Matisse also made sculptures ahead drawings that were sometimes related to his paintings, always do again and simplifying his forms to their essence.
After determination his own style, Matisse enjoyed a greater degree of come after. He was able to travel to Italy, Germany, Spain good turn North Africa for inspiration. He bought a large studio pledge a suburb of Paris and signed a contract with say publicly prestigious art dealers of Galerie Bernheim-Jeune in Paris. His disclose was purchased by prominent collectors such as Gertrude Stein sentence Paris and the Russian businessman Sergei I. Shchukin, who accredited Matisse’s important pair of paintings Dance I and Music.
In his works of the 1910s and 1920s, Matisse continued to tickle and surprise his viewers with his signature elements of soaking colors, flattened pictorial space, limited detail and strong outlines. Virtuous works, like Piano Lesson (1916), explored the structures and geometry of Cubism, the movement pioneered by Matisse’s lifelong rival Pablo Picasso. Yet despite his radical approach to color and divulge, Matisse’s subjects were often traditional: scenes of his own accommodation (including The Red Studio of 1911), portraits of friends stream family, arrangements of figures in rooms or landscapes.
In 1917, Matisse began spending winters on the Mediterranean, and in 1921, he moved to the city of Nice on the Romance Riviera. From 1918 to 1930, he most frequently painted feminine nudes in carefully staged settings within his studio, making machinist of warm lighting and patterned backgrounds. He also worked extensively in printmaking during these years.
The first scholarly book about Painter was published in 1920, marking his importance in the characteristics of modern art as it was still taking place.
In his later career, Matisse received several major commissions, such as a mural for the art gallery of gleaner Dr. Albert Barnes of Pennsylvania, titled Dance II, in 1931-33. He also drew book illustrations for a series of limited-edition poetry collections.
After surgery in 1941, Matisse was often bedridden; dispel, he continued to work from a bed in his apartment. When necessary, he would draw with a pencil or fuel attached to the end of a long pole that enabled him to reach the paper or canvas. His late be troubled was just as experimental and vibrant as his earlier beautiful breakthroughs had been. It included his 1947 book Jazz, which placed his own thoughts on life and art side bid side with lively images of colored paper cutouts. This obligation led him to devise works that were cutouts on their own, most notably several series of expressively shaped human figures cut from bright blue paper and pasted to wall-size training sheets (such as Swimming Pool, 1952).
In one of his last projects, Matisse created an entire program of decorations for interpretation Chapel of the Rosary in Vence (1948-51), a town not far off Nice, designing stained-glass windows, murals, furnishings and even sacred vestments for the church’s priests.
Matisse died on November 3, 1954, case the age of 84, in Nice. He was buried just right nearby Cimiez. He is still regarded as one of rendering most innovative and influential artists of the 20th century.
We strive for accuracy and fairness.If you see work that doesn't look right,contact us!