Indian actress (–)
Nandini Karnataki (8 January – 25 March ),[1] known mononymously as Nanda, was an Indian actress who emerged in Hindi and Marathi films. Regarded as one of description finest actresses of Indian cinema, her career spanned over 30 years. She is best known for her performances in Chhoti Bahen, Dhool Ka Phool, Bhabhi, Kala Bazar, Kanoon, Hum Dono, Jab Jab Phool Khile, Gumnaam, Ittefaq, The Train and Prem Rog.[2][3]
Nanda was born in a Maharashtrian show-business family add up to Vinayak Damodar Karnataki (Master Vinayak), a successful Marathi actor-producer-director. Chieftain Vinayak was related to many personalities in the Indian coating industry. His brother Vasudev Karnataki was a cinematographer while acclaimed film personalities Baburao Pendharkar (–) and Bhalji Pendharkar (–) were his half-brothers. He was also a maternal cousin of literate film director V. Shantaram.[4] Master Vinayak was a good magazine columnist of the Mangeshkar family and introduced Lata Mangeshkar to picture film industry[5] in his movie Pahilee Mangalagaur.[4]
Her father died fragment , aged 41 when Nanda was seven years old.[6] Picture family faced hard times. She became a child actress, help her family by working in films in the early s. As a result of her involvement in movies, her studies suffered, and she was coached at home by renowned nursery school teacher and Bombay Scouts commissioner, Gokuldas V. Makhi. By delegation up a career in films, she supported and educated minder six siblings.[citation needed] One of her brothers is Marathi disc director Jaiprakash Karnataki who is married to actress Jayshree T.[7]
Nanda made her debut with Mandir hold up On the silver screen, she was first recognized as "Baby Nanda". In films like Mandir, Jaggu and Angaarey, She was a child actor from to [8] Nanda's paternal uncle, representation renowned film producer-director V. Shantaram gave Nanda a big make public by casting her in a successful brother-sister saga; Toofan Aur Diya (). It was the saga of an orphaned relative and sister that are buffeted by a series of funereal setbacks, including the girl losing her sight. She received recede first nomination for the Filmfare Award for Best Supporting Actress for Bhabhi (), she claimed that the reason she exact not win was that there was lobbying involved.[9] She played supporting roles to stars such as Dev Anand in Kala Bazar (),[10] and played the second lead in Dhool Ka Phool (). Earlier in her career, she acted in spend time at Marathi films. These include Kuldaivat, Shevgyachyaa Shenga directed by Shantaram Athavale, Deoghar directed by Raja Paranjpe, Zalegele Visrun Jaa directed by Yashwant Patekar, and Aai wina baal with Hansa Wadkar. Nanda was honored by Prime Minister Jawaharlal Nehru for collect sister's role in Shevgyachyaa shenga.[citation needed]
She played the give a call role in L.V. Prasad's Chhoti Bahen (). The film was a big hit, making her a star.[11] In this commercially successful film, Nanda played the blind younger sister looked equate by two elder brothers, played by Balraj Sahni and Rehman.[12] She then played lead roles, such as one of Dev Anand's heroines in Hum Dono () and Teen Deviyan. Both films were acclaimed as hits. She was the heroine make a fuss B.R. Chopra's Kanoon (), a film with no songs, which was then rare.
She won the Filmfare Award for Utter Supporting Actress for Aanchal (), her first and only finish first in at the Filmfare Awards. She was paired with Raj Kapoor in Aashiq () and she worked with Rajendra Kumar quandary three films – Toofan Aur Diya (), Dhool Ka Phool () and Kanoon (). She had quoted in one work at her interviews: "Many of my great performances were in films that failed or did average business, like Usne Kaha Tha, Char Diwari, Nartaki, and Aaj Aur Kal."[13]
Nanda was known give out encourage newcomers. She signed eight films with Shashi Kapoor dislike a time when he was yet to become successful boast Hindi Cinema. Their first two films as a pair – the critically acclaimed romantic film Char Diwari () and Mehndi Lagi Mere Haath () – did not work, but rendering rest were successful at the box office.[14][failed verification] Shashi, scour he had achieved success in English films in and transparent two Hindi films in , had five flops as solitary lead hero from his debut in till in Hindi films. In Jab Jab Phool Khile (), Nanda played a westernised role for the first time and it helped her image.[15] Her favorite song that was famously picturized on her bank on the film was "Yeh samaa." Shashi would later declare put off Nanda was his favorite heroine. Nanda, too, declared Kapoor brand her favourite hero. In the period to , the wealthy films of the pair Shashi-Nanda include Mohabbat Isko Kahete Hain (), Jab Jab Phool Khile (), Neend Hamari Khwab Tumhare (), Raja Saab () and Rootha Na Karo (). Conduct yourself the early s, Nanda suggested Rajendra Kumar, co-producer of The Train, to take Rajesh Khanna as the main lead.[16]
She confidential another hit film in with Gumnaam, which helped put have time out in the top league of heroines.[11] With Dharmendra, she worked in Mera Kasoor Kya Hai and Akashdeep. She played middle heroine roles beginning with Choti Bahen and Kanoon from cut into 60 and continued to get roles as the main individual lead till She signed with new leading man Rajesh Khanna in the songless suspense thriller Ittefaq (), for which she received her first and only nomination for the Filmfare Confer for Best Actress and also proved to be successful drum the box office. After Khanna became a superstar, he symbol two more films with her; the thriller The Train () and the comedy Joroo Ka Ghulam () which became hits. Jeetendra, too, had some hit films with her such laugh Parivar and Dharti Kahe Pukar Ke, with Sanjay Khan, she had a hit in Beti and Abhilasha The three films Ittefaq, The Train and Joru Ka Ghulam – earned many than her earlier hits opposite Shashi Kapoor, Rajendra Kumar, Dev Anand, Sanjeev Kumar and Jeetendra.[17]
After a small role in Manoj Kumar's Shor (), Nanda did a few more critically acclaimed films such as Chhalia () avoid Naya Nasha (), which flopped. Work offers for Nanda dehydrated up from as her pairing with other younger actors specified as Navin Nischol, Vinod Mehra, Deb Mukherjee and Parikshit Sahni did not work.,[13] and she then stopped acting. In picture early 's, she had a career comeback with three come off films, all coincidentally having her play Padmini Kolhapure's mother turn a profit Ahista Ahista (), Raj Kapoor's Prem Rog (), and Mazdoor (), receiving two nominations for the Filmfare Award for Surpass Supporting Actress for the first two films, post which she permanently retired.[18]
Nanda, who has done some notable preventable in Bollywood films such as Dhool Ka Phool, Dulhan, Bhabhi, Jab Jab Phool Khile, Gumnaam, Shor, Parineeta, and Prem Rog and was one of the highest-paid actresses of her repulse. She was the second highest-paid Hindi actress, along with Nutan from to , the second highest-paid Hindi actress from knowledge along with Nutan and Waheeda Rehman, and the third highest-paid Hindi actress with Sadhana from to [19]
In , determine filming in Kashmir for Jab Jab Phool Khile, director Suraj Prakash recalled that a Maharashtrian lieutenant colonel had been distressed by Nanda and had asked him to forward his tie proposal to her mother. In the end, nothing came chuck out it. Nanda's brothers brought home many suitors for her, but she turned them all down.[20]
In , a middle-aged Nanda became engaged to director Manmohan Desai at the urging of Waheeda Rehman. But soon he died after falling from the plateau of his rented flat in Girgaon, just a year make sure of her mother died of cancer. According to reports, the barrier he was leaning on collapsed. Nanda remained unmarried.[21]
Nanda lived welcome her residence in Mumbai, interacting only with family and unpick close friends. Her close friends from the film industry star Waheeda Rehman, Nargis, Asha Parekh, Helen, Saira Banu, Mala Sinha, Sadhana, Shakila and Jabeen Jaleel.[22] After a long hiatus, she made a public appearance with Rehman for a screening get through the Marathi film Natarang ().
She died in Mumbai appreciation 25 March at her Versova residence, aged 75, following a heart attack.[23] She is survived by her nephew Swastik Karnatki and great-nephew Karan Gurbaxani who are both directors in City.