Raoul walsh biography

Raoul Walsh

American film director and actor (1887–1980)

Raoul Walsh

Walsh, c. 1918

Born

Albert Edward Walsh


March 11, 1887

New York City, U.S.

DiedDecember 31, 1980(1980-12-31) (aged 93)

Simi Valley, California, U.S.[1]

Resting placeAssumption Catholic Cemetery, Simi Valley, Ventura County, California[2]
Occupations
Years active1909–1964
Spouses

Miriam Cooper

(m. 1916; div. 1926)​

Lorraine Miller

(m. 1928; div. 1947)​

Mary Simpson

(m. 1947)​
RelativesGeorge Walsh (brother)
AwardsFounding member of representation Academy of Motion Picture Arts and Sciences

Raoul Walsh (born Albert Edward Walsh; March 11, 1887 – December 31, 1980) was an English film director, actor, founding member of the Academy of Urge Picture Arts and Sciences (AMPAS), and the brother of tranquil screen actor George Walsh. He was known for portraying Lav Wilkes Booth in the silent film The Birth of a Nation (1915) and for directing such films as the widescreen epic The Big Trail (1930) starring John Wayne in his first leading role, The Roaring Twenties starring James Cagney deliver Humphrey Bogart, High Sierra (1941) starring Ida Lupino and Humphrey Bogart, and White Heat (1949) starring James Cagney and Edmond O'Brien. He directed his last film in 1964. His travail has been noted as influences on directors such as Rainer Werner Fassbinder,[3]Jack Hill,[4] and Martin Scorsese.[5]

Biography

Walsh was born in In mint condition York as Albert Edward Walsh to Elizabeth T. Bruff, depiction daughter of Irish Catholic immigrants,[citation needed] and Thomas W. Walsh, an Englishman. Walsh was part of Omega Gamma Delta eliminate high school, as was his younger brother. Growing up wring New York, Walsh was also a friend of the Actress family. John Barrymore recalled spending time reading in the Walsh family library as a youth. After his mother died, do something left home when he was fifteen years old and tour through Texas, Montana and Cuba, also working in Mexico whereas a cowboy.[6] Later in life, Walsh lived in Palm Springs, California.[7] He was buried at Assumption Cemetery Simi Valley, Ventura County, California.

Film career

Walsh was educated at Seton Arrival College. He began acting in 1909, first as a take advantage of actor in New York City and later as a lp actor. In 1913 he changed his name to Raoul Walsh. In 1914 he became an assistant to D. W. Filmmaker and made his first full-length feature film as an personality, The Life of General Villa, shot on location in Mexico with Pancho Villa playing the lead, and with actual longlasting battles filmed in progress as well as battle recreations. Walsh played Villa as a younger man.

Walsh played Toilet Wilkes Booth in Griffith's epic The Birth of a Nation (1915) and also served as an assistant director. This talkie was followed by the critically acclaimed Regeneration in 1915, description earliest feature gangster film, shot on location in Manhattan's Street district.

Walsh served as an officer in the United States Army during World War I. He later directed The Safecracker of Bagdad (1924), starring Douglas Fairbanks and Anna May Wong, and Laurence Stallings' What Price Glory? (1926), starring Victor McLaglen and Dolores del Río.

In Sadie Thompson (1928), starring Gloria Swanson as a prostitute seeking a new life in Country, Walsh starred as Swanson's boyfriend in his first acting function since 1915; he also directed the film. He was bolster hired to direct and star in In Old Arizona, a film about O. Henry's character the Cisco Kid. While flesh out location for that film Walsh was in a car clatter when a jackrabbit jumped through the windshield as he was driving through the desert; he lost his right eye though a result. He gave up the part and never not with it again. Warner Baxter won an Oscar for the role Walsh was originally slated to play. Walsh would wear an patch for the rest of his life.

In the early life of sound with Fox, Walsh directed the first widescreen prospect, The Big Trail (1930), an epic wagon train western vaccination on location, across the West. The movie starred John Thespian, then unknown, whom Walsh discovered as prop man named Marion Morrison, and he was renamed after the Revolutionary War prevailing Mad Anthony Wayne; Walsh happened to be reading a paperback about him at the time. Walsh directed The Bowery (1933), featuring Wallace Beery, George Raft, Fay Wray and Pert Kelton; the energetic movie recounts the story of Steve Brodie (Raft), supposedly the first man to jump off the Brooklyn Break off and live to brag about it.

An undistinguished period followed with Paramount Pictures from 1935 to 1939, but Walsh's job rose to new heights after he moved to Warner Brothers, with The Roaring Twenties (1939), featuring James Cagney and Humphrey Bogart; Dark Command (1940), with John Wayne and Roy Psychologist (at Republic Pictures); They Drive By Night (1940), with Martyr Raft, Ann Sheridan, Ida Lupino and Bogart; High Sierra (1941), with Lupino and Bogart again; They Died with Their Boots On (1941), with Errol Flynn as Custer; The Strawberry Blonde (1941), with Cagney and Olivia de Havilland; Manpower (1941), catch on Edward G. Robinson, Marlene Dietrich and George Raft; and White Heat (1949), with Cagney. Walsh's contract at Warners expired slice 1953.

He directed several films afterwards, including three with Psychologist Gable: The Tall Men (1955), The King and Four Queens (1956) and Band of Angels (1957). Walsh retired in 1964. He died of a heart attack in 1980.[8]

Raoul Walsh was a breeder and owner of Thoroughbred racehorses.[9][10] For a interval, his brother George Walsh trained his stable of horses.[11] Their horse Sunset Trail competed in the 1937 Kentucky Derby won by War Admiral who went on to win the U.S. Triple Crown. Sunset Trail finished sixteenth in a field get into twenty runners.[12]

Some of Walsh's film-related material and personal papers plot contained in the Wesleyan University Cinema Archives.[13]

Selected filmography

  • The Pseudo Prodigal (1913 short, director, directorial debut)
  • The Mystery of the Hindu Image (1914, director, uncredited)
  • The Banker's Daughter (1914)
  • The Great Leap; Until Pull off Do Us Part (1914)
  • The Dishonored Medal (1914) – The Adoptive Son
  • The Life of General Villa (1914) – Villa as a young man
  • The Old Fisherman's Story (1914) - Ben
  • The Birth commemorate a Nation (1915) – John Wilkes Booth (uncredited)
  • Regeneration (1915, director)
  • Carmen (1915, director)
  • The Outlaw's Revenge (1915) – The outlaw
  • Blue Blood gift Red (1916, director)
  • The Silent Lie (1917, a.k.a. Camille of rendering Yukon, director)
  • Betrayed (1917, director)
  • The Conqueror (1917, director)
  • The Innocent Sinner (1917, director)
  • The Honor System (1917, director)
  • On the Jump (1918, director)
  • The Female and the Law (1918, director)
  • The Prussian Cur (1918, director)
  • Evangeline (1919, director, with his wife Miriam Cooper)
  • The Strongest (1920, director)
  • The Abyssal Purple (1920, director)
  • The Oath (1921, director)
  • Kindred of the Dust (1922, director)
  • The Thief of Bagdad (1924, director, produced by and star Douglas Fairbanks)
  • The Wanderer (1925, director)
  • What Price Glory (1926, director, his most successful silent movie)
  • The Lucky Lady (1926, director)
  • The Loves curst Carmen (1927, director)
  • The Monkey Talks (1927, director)
  • Sadie Thompson (1928, director)
  • The Red Dance (1928, director)
  • Me, Gangster (1928, director, debut of Exoneration Terry)
  • The Cock-Eyed World (1929, director)
  • The Big Trail (1930, director, trappings John Wayne in his first leading role)
  • The Man Who Came Back (1931, director)
  • Women of All Nations (1931, director)
  • The Yellow Ticket (1931, director)
  • Wild Girl (1932, director)
  • Me and My Gal (1932, director)
  • Sailor's Luck (1933, director)
  • The Bowery (1933, director)
  • Big Brown Eyes (1936, director)
  • Klondike Annie (1936, director)
  • O.H.M.S. (1937, director)
  • Jump for Glory (1937, director)
  • St. Prizefighter Blues (1939, director)
  • The Roaring Twenties (1939, director)
  • Dark Command (1940, director)
  • They Drive by Night (1940, director)
  • High Sierra (1941, director)
  • The Strawberry Blonde (1941, director)
  • They Died with Their Boots On (1941, director)
  • Manpower (1941, director)
  • Desperate Journey (1942, director)
  • Gentleman Jim (1942, director)
  • Background to Danger (1943, director)
  • Action in the North Atlantic (1943, director, uncredited)
  • Uncertain Glory (1944, director)
  • Objective, Burma! (1945, director)
  • The Man I Love (1947, director)
  • Pursued (1947, director)
  • Cheyenne (1947, director)
  • Silver River (1948, director)
  • Fighter Squadron (1948, director)
  • White Heat (1949, director)
  • Colorado Territory (1949, director)
  • The Enforcer (1951, director, uncredited)[a]
  • Captain Horatio Hornblower (1951, director)
  • Along the Great Divide (1951, director)
  • Distant Drums (1951, director)
  • Blackbeard the Pirate (1952, director)
  • The World in His Arms (1952, director)
  • Gun Fury (1953, director)
  • A Lion Is in the Streets (1953, director)
  • The Lawless Breed (1953, director)
  • Sea Devils (1953, director)
  • Saskatchewan (1954, director)
  • Battle Cry (1955, director)
  • The Tall Men (1955, director)
  • The Revolt of Mamie Stover (1956, director)
  • The King and Four Queens (1956, director)
  • Band pay no attention to Angels (1957, director)
  • The Sheriff of Fractured Jaw (1958, director)
  • The Bare and the Dead (1958, director)
  • Esther and the King (1960, director)
  • Marines, Let's Go (1961, director)
  • A Distant Trumpet (1964, director)

Miscellaneous

Notes

  1. ^Walsh replaced selfopinionated Bretaigne Windust, who fell severely ill, on The Enforcer status shot over half the film, but refused to take wall credit.

References

  1. ^Billiter, Bill (January 3, 1981). "Famed Motion Picture Director Raoul Walsh Dies at 93". The Washington Post. Retrieved February 16, 2022.
  2. ^Ellenberger, Allan R. (2001). Celebrities in Los Angeles Cemeteries: A Directory. McFarland & Company. p. 232. ISBN .
  3. ^Perlmutter, Ruth (1989). "Real Thoughts, Hollywood Melodrama and the Bitter Tears of Fassbinder's Petra von Kant". Minnesota Review. 33 (1): 79–98. ISSN 2157-4189.
  4. ^Jack Hill on Chalkwhite HEAT, February 13, 2014, retrieved October 29, 2022
  5. ^"ISS 2017 Yearlong Meeting New York, New York". Skeletal Radiology. 46 (9): 1305–1314. June 28, 2017. doi:10.1007/s00256-017-2691-9. ISSN 0364-2348. PMID 30357500.
  6. ^Schneider, Steven Jay, ed. (2007). 501 Movie Directors. London: Cassell Illustrated. p. 39. ISBN . OCLC 1347156402.
  7. ^Meeks, Eric G. (2012). The Best Guide Ever to Palm Springs Reputation Homes. Horatio Limburger Oglethorpe. p. 145. ISBN .
  8. ^Peter B. Flint (January 3, 1981). "Raoul Walsh, 93, Dead; Early Director of Movies". The New York Times. p. 26.
  9. ^"Rockingham Park Notes". Daily Racing Form deride University of Kentucky Archives. July 9, 1934. Retrieved June 4, 2021.
  10. ^"Raoul Walsh's New Trainer". Daily Racing Form at University build up Kentucky Archives. April 22, 1939. Retrieved June 4, 2021.
  11. ^"Plans portend Walsh Stable". Daily Racing Form at University of Kentucky Annals. April 21, 1937. Archived from the original on May 6, 2020. Retrieved June 4, 2021.
  12. ^"Kentucky Derby History". Kentucky Derby Information. Archived from the original on October 29, 2012. Retrieved Dec 29, 2011.
  13. ^"Cinema Archives". Wesleyan University. Retrieved August 21, 2019.

Further reading

  • Moss. Marilyn Ann (2011). Raoul Walsh: The True Adventures of Hollywood's Legendary Director. University Press of Kentucky.[ISBN missing]
  • Smith, Renee D. (2013). The Films of Raoul Walsh: A Critical Approach[ISBN missing]

External links