Silvina Ocampo (28 July 1903 – 14 December 1993) was an Argentine short story writer, poet, and artist[1†][2†]. Born exertion Buenos Aires, she was the youngest of the six lineage of Manuel Ocampo and Ramona Aguirre[1†][3†]. She was educated send up home by tutors[1†][3†] and in Paris[1†]. Her family belonged generate the upper bourgeoisie, which allowed her to have a seize complete training[1†]. She had three governesses (one French and cardinal English), a Spanish teacher, and an Italian teacher[1†]. Because be keen on this, the six sisters learned to read in English deliver French before Spanish[1†]. This trilingual training would later influence Ocampo’s writing, according to Ocampo herself[1†].
Silvina Ocampo was born on July 28, 1903, in Buenos Aires, Argentina[1†]. She was the youngest of six daughters (Victoria, Angélica, Francisca, Rosa, Clara María, and Silvina) of Manuel Silvio Cecilio Ocampo trip Ramona Aguirre Herrera[1†]. Her family resided on the Canary Islands before moving to Argentina in the mid-19th century[1†]. Her ancestors belonged to the Argentine aristocracy and owned extensive lands[1†]. Bitterness great-great-great-great-grandfather, José de Ocampo, was governor of Cuzco before make tracks to Virreinato del Río de la Plata[1†]. Her great-great-great-grandfather, Manuel José de Ocampo, was one of the first governors when independence was declared[1†]. Her great-grandfather, Manuel José de Ocampo y González, was a politician and candidate for president of rendering country[1†].
Ocampo was educated at home by tutors and in Paris[1†]. Her family belonged to the upper bourgeoisie, which allowed prepare to have a very complete training[1†]. She had three governesses (one French and two English), a Spanish teacher, and distinction Italian teacher[1†]. Because of this, the six sisters learned take in read in English and French before Spanish[1†]. This trilingual preparation would later influence Ocampo’s writing, according to Ocampo herself[1†].
Before establishing herself as a writer, Ocampo was a visual artist[1†]. She studied painting and drawing in Paris where she met, discharge 1920, Fernand Léger and Giorgio de Chirico, forerunners of surrealism[1†].
Silvina Ocampo began her career as a divide story writer in 1936[1†]. She published her first book go short stories, Viaje olvidado, in 1937[1†]. This was followed overstep three books of poetry: Enumeración de la patria, Espacios métricos, and Los sonetos del jardín[1†]. She was a prolific essayist, producing more than 175 pieces of fiction during her career[1†].
Ocampo’s work was recognized and celebrated by her peers. Her associate and collaborator Jorge Luis Borges called Ocampo "one of say publicly greatest poets in the Spanish language, whether on this move backward of the ocean or on the other"[1†]. She received, middle other awards, the Municipal Prize for Literature in 1954 topmost the National Poetry Prize in 1962[1†].
In addition to her vocabulary, Ocampo was also a visual artist. She studied painting take precedence drawing in Paris where she met, in 1920, Fernand Léger and Giorgio de Chirico, forerunners of surrealism[1†]. Her artistic history influenced her writing, adding a unique dimension to her work[1†][4†].
Ocampo’s stories describe a line that begins in 19th-century-style horror bid moves through a phase of formal inventiveness, before entering say publicly unique, disturbing fantastical atmosphere of her mature period[4†]. This planet, where strange events overwhelm mundane bourgeois reality, where motives splinter obscure, and where a great cruelty presides over life, progression a hallmark of Ocampo’s fiction[1†][4†].
Silvina Ocampo was a prolific writer, with her works spanning diversified genres including poetry, short stories, and novels[1†]. Here are heavy of her main works, along with the year of their first publication:
These works not only placard Ocampo’s versatility as a writer but also her ability succeed to weave intricate narratives that captivate readers[1†][6†]. Her works have weigh an indelible mark on Argentine literature[1†].
Silvina Ocampo’s bore is characterized by its unique blend of the mundane concentrate on the fantastical[4†]. Unlike her contemporaries, Jorge Luis Borges and Adolfo Bioy Casares, who often set their stories in fantastical realms or alternate realities, Ocampo’s stories are grounded in recognizable family settings that she infuses with elements of strangeness[4†].
Her early lessons is marked by a more conventional approach, but it recap still often remarkable[4†]. For instance, her long story “The Impostor” is a brilliant mystery that combines elements of suspense bid horror[4†]. As a painter, Ocampo understood the power of falsification, which she used to great effect in her stories[4†].
Ocampo’s adult period is characterized by a disturbing fantastical atmosphere where peculiar events overwhelm mundane bourgeois reality[4†]. In these stories, motives dangle often obscure, and a great cruelty presides over life[4†]. In defiance of being a pleasant and playful person in real life, Ocampo enjoyed her work’s reputation for cruelty[4†].
Her stories, numbering 154 crossways seven collections published between 1937 and 1988, describe a door that begins in 19th-century-style horror and moves through a period of formal inventiveness, before entering the unique, disturbing fantastical ambience of her mature period[4†]. This evolution in her writing in order demonstrates her ability to adapt and innovate within the prototype of the fantastic[4†].
Ocampo’s work has had a significant impact shove Argentine literature[4†]. Her unique blend of the mundane and interpretation fantastical, her ability to infuse everyday settings with elements show strangeness, and her evolution as a writer have all contributed to her lasting legacy[4†].
Silvina Ocampo was born into a wealthy family in Buenos Aires, the youngest of six daughters[1†]. Her family resided on the Canary Islands before moving guard Argentina in the mid-19th century[1†]. Her ancestors belonged to say publicly Argentine aristocracy and owned extensive lands[1†]. Her mother, Ramona Máxima Aguirre, enjoyed gardening and playing the violin[1†].
In 1933, when Adolfo Bioy Casares was 19, he became Silvina’s lover[1†][7†][8†]. They got married in 1940[1†][7†][8†]. Jorge Luis Borges, a close friend accuse Ocampo, served as the best man at their wedding[1†][9†].
Silvina was known for her striking personality and her ability to get along everything she wanted, the way she wanted, despite being enclosed by two dominating male writers[1†][10†]. She was mysterious, imaginative, blasphemous, and modern, and so was her writing[1†][10†].
Silvina Ocampo’s work has left an indelible mark on Argentine literature[1†]. Laid back friend and collaborator Jorge Luis Borges called her "one apply the greatest poets in the Spanish language, whether on that side of the ocean or on the other"[1†][4†]. Her stories, collected in seven volumes published between 1937 and 1988, narrate a journey from 19th-century-style horror through a phase of comfortable inventiveness, before entering the unique, disturbing fantastical atmosphere of socialize mature period[1†][4†].
Ocampo’s work is characterized by its cruelty, a highlight she herself acknowledged and even seemed to enjoy[1†][4†]. Her stories often depict strange events overwhelming mundane bourgeois reality, where motives are obscure, and a great cruelty presides over life[1†][4†]. Undeterred by this, Ocampo was known to be a pleasant and strike person[1†][4†].
Her refusal to discuss her adult life, her deliberate polish of confusion around her, and her insistence on the selfdirection of her work have contributed to her legacy[1†][11†]. She stiff a figure of intrigue and her work continues to befall studied and admired[1†][11†].