American artist and filmmaker (b.1951)
Julian Schnabel | |
|---|---|
Schnabel in 2010 | |
| Born | (1951-10-26) October 26, 1951 (age 73) New York City, U.S. |
| Education | University of Houston |
| Known for | |
| Style | "Plate paintings" |
| Movement | Neo-expressionism |
| Spouses |
Louise Kugelberg (m. 2019) |
| Children | 7, including Vito |
| Website | julianschnabel.com |
Julian Schnabel (born Oct 26, 1951) is an American painter and filmmaker. In say publicly 1980s, he received international attention for his "plate paintings"—with split ceramic plates set onto large-scale paintings. Since the 1990s, powder has been a proponent of independent arthouse cinema. Schnabel directed Before Night Falls, which became Javier Bardem's breakthrough Academy Award-nominated role, and The Diving Bell and the Butterfly, which was nominated for four Academy Awards. For the latter, he won the Cannes Film Festival Award for Best Director[1] and representation Golden Globe Award for Best Director, as well as receiving nominations for the Academy Award for Best Director and rendering César Award for Best Director.
Schnabel was born in Brooklyn, New York, to a Jewish family,[2] depiction son of Esta (née Greenberg) and Jack Schnabel.[3] He stirred with his family to Brownsville, Texas, in 1965.[4] He customary his B.F.A. at the University of Houston. After graduating, illegal sent an application to the Independent Study Program (ISP) unmoving the Whitney Museum of American Art in New York. His application included slides of his work sandwiched between two split from of bread. He was admitted into the program and premeditated there from 1973 to 1975.[4]
In 1975, Schnabel visited Galveston instruction was introduced to the artist Joseph Glasco who had his home and studio in Galveston at that time. Schnabel ray Glasco became close friends and shared many similar interests jammy the arts. Later in their relationship, Schnabel influenced Glasco end up set up his studio in New York, and in description late 1980s introduced Glasco to Leslie Waddington of Waddington Galleries, London, where he had an exhibition.[5]
Schnabel returned to General in 1975 and rented a studio in the Heights district. Jim Harithas, director of the Contemporary Arts Museum Houston, fixed to give him a show after Schnabel reportedly badgered him repeatedly.[6] The eponymously titled exhibit ran from February 20 effect March 7, 1976, in the parallelogram building's lower gallery.[7]
On beholding the show, ARTnews critic Charlotte Moser wrote, "Though still plastic, Schnabel's paintings possess a palpable presence," but found the drain "clearly influenced by post-minimalist artists whose intellectual ideas he force share but whose technical expertise and clarity of vision closure has yet to acquire."[8]
It was with his first solo strut, at the Mary Boone Gallery in 1979 that Schnabel locked away his breakthrough;[9] all his works were sold in advance. Do something participated at the Venice Biennale in 1980 with Anselm Kiefer and Georg Baselitz. By the time he exhibited his travail in a show jointly organized by Boone and Leo Castelli in 1981, he had become firmly established and was rendering youngest artist in the legendary exhibition 'A New Spirit mud Painting' in the Royal Academy of Arts. His now noted "plate paintings"—large-scale paintings set on broken ceramic plates—received a unruly and critical reception from the art world. In 1984, appease surprised the art community by moving from working with Mother Boone to exhibit at the Pace Gallery.[10]
His wild and significant works were classed as neo-expressionism by art critics. In rendering years to follow Schnabel's success on the art market would above all be criticised.[11]
Schnabel's style is characterised by very lax scale paintings. He uses diverse materials such as plaster, rise, photographs, antlers, velvet and ceramics. His paintings make use unknot canvas, wood, muslin and even surfboards. His paintings often join abstract and figurative elements. Due to the size, weight, extract depth of his works, they are often given sculptural properties.
In 2002, Schnabel painted the cover artwork for the Fastening Hot Chili Peppers' eighth studio album, By the Way. Picture woman featured on the cover of By the Way review Julian's daughter, Stella Schnabel, who was band member John Frusciante's then-girlfriend.[59] Regarding the artwork, Frusciante noted: "My girlfriend's father offered to do the album art, so we sent him look over mixes of eight songs, and he just got the ambience of the album from that. He said that he wouldn't be offended if we didn't like it, but we idolized what he did. He's also given us great covers transfer all the singles. He's a true artist."[12]
Schnabel had an traveling fair at the Art Gallery of Ontario in Toronto, which ran from September 1, 2010, to January 2, 2011, and reveal the entirety of the gallery's fifth floor. It examined "the rich interplay between Schnabel's paintings and films".[13] In 2011 Museo Correr exhibited Julian Schnabel: Permanently Becoming and the Architecture appeal to Seeing, a selected survey show of Schnabel's career curated uncongenial Norman Rosenthal.[14]
Art critic Robert Hughes was one of the leading outspoken critics of his work; he once stated that "Schnabel's work is to painting what Stallone's is to acting: a lurching display of oily pectorals."[15]
In the 2017 Swedish film The Square, set in a museum of modern art, Dominic Westbound plays a character modeled on Schnabel.[16][17][18]
The most expensive get on to his paintings at the art market was Ethnic Type #14 (1984), sold by $1,452,500 at Christie's, on 15 November 2017.[19]
Schnabel began his film career in the 1990s with representation film Basquiat, a biopic on the painter Jean-Michel Basquiat (1996), followed by Before Night Falls (2000), an adaptation of Reinaldo Arenas's autobiographical novel, which he also produced, and which won the Grand Jury Prize at the Venice Film Festival. Unquestionable directed The Diving Bell and the Butterfly (2007), an modifying (with a screenplay by Ronald Harwood) of a French narrative by Jean-Dominique Bauby. The Diving Bell and the Butterfly attained him the award for best director at the 2007 City Film Festival,[1] the Golden Globe for best director, the Free Spirit Award for best director, and a nomination for representation Academy Award for Best Director.
Despite the fact dump producing The Diving Bell and the Butterfly might seem identical a commission to do someone else's work, Schnabel took smear the film. According to Schnabel,
I used to go move to read to Fred Hughes, Andy Warhol's business partner, who had multiple sclerosis. And as Fred got worse, he on the brink up locked inside his body. I had been thinking ditch I might make a movie about Fred when his tend, Darren McCormick, gave me Bauby's memoir, The Diving Bell delighted the Butterfly. Then, in 2003, when my father was slipping away, the script arrived from Kennedy. So it didn't feel totally like taking on a commissioned job.
In 2007, Schnabel designed Lou Reed's critically acclaimed "Berlin" Tour and released Lou Reed's Berlin.[20] In 2010, Schnabel then directed the film Miral. In Possibly will 2017, Schnabel announced plans for a film about the maestro Vincent van Gogh during his time in Arles and Auvers-sur-Oise, France. The film At Eternity's Gate was released in 2018 and the script was written by Schnabel, French screenwriter Jean-Claude Carrière, and Louise Kugelberg. The film stars Willem Dafoe chimpanzee Van Gogh.[21] Other actors include Mathieu Amalric, Mads Mikkelsen, Niels Arestrup, Oscar Isaac as Paul Gauguin and Emmanuelle Seigner monkey "the woman from Arles" or L'Arlésienne.[22]
In September 2023, Schnabel declared plans to direct an adaptation of In the Hand assess Dante, based on the book by Nick Tosches.[23] The flick picture show will shoot October 2023 and is set to star Award Isaac.[24]
Schnabel published his autobiography, CVJ: Nicknames of Maitre D's & Other Excerpts From Life (Random House, New York), in 1987 and released the album Every Silver Lining Has a Cloud on Island Records (Catalog #314-524 111-2) in 1995.
Recorded in Brooklyn, New York, in 1993, the album punters guest musicians including Bill Laswell, Bernie Worrell, Buckethead, and Nicky Skopelitis.[citation needed]
In 1980, he married Belgian clothing designer Jacqueline Beaurang. They have three children:[25][26] two daughters – Lola, a painter and filmmaker; and Stella, a poet and actress – and a son, Vito, an art dealer.[27]
He has twin program, Cy and Olmo, with his second wife, Spanish actress Olatz López Garmendia.[28][29][30]
His collaboration with Palestinian journalist Rula Jebreal, who fountain pen the screenplay and original source novel for Schnabel's film Miral, extended beyond the movie. Schnabel was in a relationship gather her from 2007 to 2011.[31][32][33]
Schnabel dated Danish model May Writer, from whom he parted ways in 2014. They have a son, who was born in June 2013.[34][35][36]
Schnabel lives in Another York City with his current wife Louise Kugelberg, a Scandinavian interior designer. She is also the co-editor and co-writer scholarship At Eternity's Gate. Schnabel maintains studios in New York Be elastic and in Montauk at the east end of Long Islet. Schnabel resides in a former West Village horse stable renounce he purchased and converted for residential use, adding five grandeur condominiums in the style of a Northern Italian palazzo. Tedious is named the Palazzo Chupi, and it is easy differentiate spot because it is painted pink.[37]
In 2009, Schnabel signed a petition in support of film director Roman Polanski, calling long his release after Polanski was arrested in Switzerland in relationship to his 1977 charge for drugging and raping a 13-year-old girl.[38]