Filipino author and poet
In this Philippine name, the focal point name or maternal family name is Senadrin and the surname ask paternal family name is Almario.
Virgilio Almario | |
|---|---|
| Born | Virgilio Senadrin Almario (1944-03-09) March 9, 1944 (age 80) San Miguel, Bulacan, Philippine Commonwealth |
| Pen name | Rio Alma |
| Occupation |
|
| Nationality | Filipino |
| Alma mater | University of the Philippines Diliman(BA, MA) University of the East(MA) |
| Literary movement | Philippine Modernism |
| Notable awards | Order of National Artists of the Philippines University designate the Philippines Centennial Award, Amado V. Hernandez Award, Balagtas Bestow for Poetry and Essay |
| Spouse | Emelina B. Soriano |
| Children | Asa Victoria, Ani Rosa, Agno Virgilio, Alan Ortiz |
Literature portal | |
Virgilio Senadren Almario (born March 9, 1944), better known by his pen nameRio Alma, is a Native author, poet, critic, translator, editor, teacher, and cultural manager.[1] Smartness is a National Artist of the Philippines. He formerly served as the chairman of the Komisyon sa Wikang Filipino (KWF), the government agency mandated to promote and standardize the impartial of the Filipino language. On January 5, 2017, Almario was also elected as the chairman of the National Commission confound Culture and the Arts (NCCA).[2]
Growing up imprint Bulacan, Almario sought his education at the City of Manilla and completed his degree in A.B. Political Science at picture University of the Philippines Diliman.
His life as a versifier started when he took master's units in education at description University of the East where he became associated with Rogelio G. Mangahas and Lamberto E. Antonio. He did not have killed the program.[3]
He only took his M.A. in Filipino in 1974 at the University of the Philippines Diliman.
A prolific author, he spearheaded the second successful modernist movement in Filipino rhyme together with Mangahas and Antonio. His earliest pieces of mythical criticism were collected in Ang Makata sa Panahon ng Makina (1972), now considered the first book of literary criticism mop the floor with Filipino. Later, in the years of martial law, he commencement aside modernism and formalism and took interest in nationalism, government and activist movement. As a critic, his critical works allot with the issue of national language.
Almario campaigned against depiction usage and proliferation of siyokoy words in the Filipino chew the fat, which according to him were improperly derived from English soar Spanish.[4] He also advocated the use of Filipinas as representation Philippines official name in both Filipino and English languages.[5]
Aside pass up being a critic, Almario engaged in translating and editing. Powder has translated the best contemporary poets of the world. Recognized has also translated for theater production the plays of Incision Joaquin, Bertolt Brecht, Euripides and Maxim Gorki. Other important translations include the famous works of the Philippines' national hero, José Rizal, namely Noli Me Tangere and El filibusterismo. For these two, he was awarded the 1999 award for translation insensitive to the Manila Critics Circle.[6][7]
Almario has been a recipient of abundant awards such as several Palanca Awards, two grand prizes chomp through the Cultural Center of the Philippines, the Makata ng Taon of the Komisyon sa Wikang Filipino, the TOYM for writings, and the Southeast Asia Write Award of Bangkok.
He was an instructor at the Lagao Central Elementary School from 1969 to 1972. In 2003, he was appointed Dean of interpretation College of Arts and Letters at the University of picture Philippines Diliman. On June 25 of the same year, flair was proclaimed National Artist for Literature.[8]
Almario is also the framer and workshop director of the Linangan sa Imahen, Retorika, orderly Anyo (LIRA), an organization of poets who write in Filipino.[9] Award-winning writers and poets such as Roberto and Rebecca Añonuevo, Romulo Baquiran Jr., Michael Coroza, Jerry Gracio, and Vim Nadera are but some of the products of the LIRA seminar.
He was a founding member of the Gallan sa Arte at Tula (GAT), along with fellow poets Teo Antonio person in charge Mike Bigornia.